Las óleos de todo Lucas van Leyden

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42939

A Man Aged Thirty-eight

mk170 circa 1520 Oil on oak 46.7x40.8cm

2449

Card Players

National Gallery of Art, Washington DC

85236

Card Players

between 1508(1508) and 1510(1510) Medium Oil on panel cyf

90315

Card Players

Oil on panel, 56 x 70 cm, National Gallery of Art, Washington Date 1508 - 10 cyf

96276

Card Players

1525(1525) Medium oil on panel cyf

84691

Christ Healing the Blind

Date 1531(1531) Medium Oil on canvas transferred from wood cjr

88615

Christ Healing the Blind

1531(1531) Medium Oil on canvas transferred from wood cyf

92017

Der heilige Andreas in Halbfigur

oil on oak panel. 22 X 17 cm. Karlsruhe, Staatliche Kunsthalle. Inventory number 1478. Date c. 1518 (1513-1523) cyf

88584

Der heilige Andreas in Halbfigur, vor Landschaft

Oil on oak panel. 22 x 17 cm. c. 1518 (1513-1523) cjr

73621

fortune teller

Date ca. 1508 (1508-1510) Medium Oil on panel Dimensions 24 X 30.5 cm (9.45 X 12.01 in) cyf

96034

FortuneTeller with a Fool

between 1508(1508) and 1510(1510) Medium oil on panel cyf

90306

Healing of blind man of Jericho

1531(1531) Medium Oil on panel transferred to canvas cyf

32384

ipping of the Golden Calf

wood

33537

Lot and his Daughters

mk86 v.1520 Oil on wood 48x34cm Paris,Musee National du Louvre

21388

Lot and his Daughters (mk08)

c.1520 Oil on wood, 48x34cm Paris,Musee National du Louvre

96152

Madonna and Child or Virgin and Child with Angels

circa 1520(1520) Medium oil on panel Dimensions 74 X 44 cm cyf

2450

Madonna and Child with Mary Magdalene and a Donor

Pinakothek, Munich

91470

Portrat des Jakob Florisz van Montfort

1531(1531) Medium oil on panel Dimensions Deutsch: 89 x 32,5 cm cjr

86491

Preaching in the Church

Date 1530(1530) Medium Oil on wood Dimensions Height: 133 cm (52.4 in). Width: 97 cm (38.2 in). cjr

75156

Self portrait

Date Deutsch: 1. Drittel 16. Jh. English: 1st third of 16th century Medium Oil on panel cyf

97765

Self portrait

1509(1509) Medium oil on oak cyf

73474

Self-portrait

1st third of 16th century Oil on panel cjr

86285

St Jerome Penitent

1515(1515) and 1516(1516) Medium Oil on oak panel cyf

23358

The Card Players (nn03)

c 1520 Oil on panel 34 x 48 cm 14 x 18 in Wilton House Salisbury

40344

The Engagement

mk156 1527 Oil on panel 30x32cm

55999

the fortune teller

mk247 c.1508 to 10,oil on panel,9x12 in,24x30.5 cm,louvre,paris,france

20291

The Fortune Teller (mk05)

Wood 9 1/2 x 12 1/4''(24 x 31 cm)Given in 1962

92634

The fortune-teller.

Date c. 1508 (1508-1510) Medium oil on panel Dimensions 24 X 30.5 cm (9.4 X 12 in) TTD

40985

THe Healing of the Blind man of Jericho

mk156 Triptych 1531 Oil on canvas transferred from panel

89143

The Temptation of St Anthony

1530(1530) Medium oil on wood cyf

97616

The Temptation of St Anthony

circa 1530(1530) Medium oil on panel cyf

96819

Thyssen

Oil on panel - 1525 cyf

93217

Triptych with the Adoration of the Golden Calf

c. 1530(1530) (1525-1533) Medium oil on oak panel Dimensions 92.5 x 127 cm (36.4 x 50 in) cjr

83557

Virgin and Child with Angels

Date ca. 1520(1520) Medium Oil on wood Dimensions Height: 74 cm (29.1 in). Width: 44 cm (17.3 in). cjr

90586

Virgin and Child with Mary Magdalen and a donor

1522(1522) Medium oil on oak panel cyf

86629

Virgin and Child with Mary Magdalen and a donor.

Date 1522(1522) Medium Oil on oak panel Dimensions Height: 51 cm (20.1 in). Width: 68 cm (26.8 in). cjr

Lucas van Leyden

1489-1533 Dutch Lucas van Leyden Galleries Lucas van Leyden (Leiden, 1494 ?C August 8, 1533 in Leiden), also named either Lucas Hugensz or Lucas Jacobsz, was a Dutch engraver and painter, born and mainly active in Leiden, who was among the first Dutch exponents of genre painting and is generally regarded as one of the finest engravers in the history of art. He was the pupil of his father, from whose hand no works are known, and of Cornelis Engelbrechtsz, but both of these were painters whereas Lucas himself was principally an engraver. Where he learnt engraving is unknown, but he was highly skilled in that art at a very early age: the earliest known print by him (Mohammed and the Murdered Monk) dates from 1508, when he was perhaps only 14, yet reveals no trace of immaturity in inspiration or technique. Lot and his daughters (ca. 1509)In 1514 he entered the Painters' Guild at Leiden. He seems to have travelled a certain amount, and visits are recorded to Antwerp in 1521, the year of D??rer's Netherlandish journey, and to Middelburg in 1527, when he met Jan Mabuse. An unbroken series of dated engravings makes it possible to follow his career as a print-maker and to date many of his paintings, but no clear pattern of stylistic development emerges. D??rer was the single greatest influence on him, but Lucas was less intellectual in his approach, tending to concentrate on the anecdotal features of the subject and to take delight in caricatures and genre motifs. Carel van Mander characterizes Lucas as a pleasure-loving dilettante, who sometimes worked in bed, but he left a large oeuvre, in spite of his fairly early death, and must have been a prodigious worker. Lucas had a great reputation in his day (Vasari even rated him above D??rer) and is universally regarded as one of the greatest figures in the history of graphic art (he made etchings and woodcuts as well as engravings and was a prolific draughtsman). His status as a painter is less elevated, but he was undoubtedly one of the outstanding Netherlandish painters of his period. He was a pioneer of the Netherlandish genre tradition, as witness his Chess Players (Gemäldegalerie, Berlin) which actually represents a variant game called 'courier' - and his Card Players (National Gallery of Art, Washington), while his celebrated Last Judgement triptych (Lakenhal Museum, Leiden, 1526-27) shows the heights to which he could rise as a religious painter. It eloquently displays his vivid imaginative powers, his marvellous skill as a colourist and his deft and fluid brushwork.

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